The Artist Life: SMALL STUDIO, BIG CREATIVITY (why a smaller studio might be the best thing for your art practice!)

SMALL STUDIO, BIG CREATIVITY - why a smaller studio might be the best thing for your art practice! What?! Uhm, well, yes! Read on my friends for more if you don’t believe me, lol.

Moving from a large to ‘intimate’ studio space 

So, here I am again - recently having completed my third move in five years. Oi. This time to a … shall we say, more intimate space 😂

The other day, I was looking for something on my website, and found that in February 2020 I actually blogged about moving - which I’d totally forgotten about, lol. It’s obvious that “downsizing” and "clutter" and "purging" and "letting go" were definitely on my mind. It’s a short, funny, and fun read, actually. (Well done, me!) And you can check it out here and leaving a comment if you like.

Back to the ‘intimate space’ where I’m currently living. When working on this move back in fall, the very  thought of downsizing my studio ‘yet again’ felt daunting. Why? Because I was moving to a lovely but considerably smaller place from a much larger one (see photo). Think “more in the storage unit, less in the new digs.” My previous studio was a large, roomy L-shaped room with tons of windows and natural light, and a great floor plan that held my 8’ wide x 8’ high (2.4x2.4m) easel, tons of mixed media supplies, 5 workstations for different projects, 7 bookcases/storage cabinets, and more. This created the need for a massive downsizing of, well, pretty much everything!

And in case you missed it … right after I moved, I realized that in all the relocations since 2019, I’ve gained some ‘expertise’ of sorts, and at the very least, some pretty great insights. So if you have an upcoming “studio on the move” and would appreciate some thoughts about easing your own ‘moving season,’ you can find them on my blog, here. 

This mixed media artist struggled . . .

Back to my story. So, off I went - and a bit of vulnerability here: the idea of letting go of any of it felt rather formidable and more than a little uncomfortable. As a mixed media artist and oil painter, there are SO many great supplies and things to use (and store!). It’s particularly difficult to make choices about what to use in the now, what to store, what to give away - there’s just so much I’ve collected over time.  I think I hid under a rock (okay, binged my favorite PBS show, “All Creatures Great and Small”) for about a month before I was able to get started! 😂

Oi again! Life has a way of nudging us toward change … and I needed to. I found it necessary to pull my head out of the sandbox and embrace the reality of a smaller studio space. I began a little self-talk- and-come-to-Jesus about it. “Okay, this won’t be so tough, right?” Right. “Well, why after all this time am I going in the opposite direction of the studio/gallery I’ve been dreaming of having?” A quiet pause. “Oh. You’re right. I wasn’t exactly as faithful with the little like I’d planned…” So, maybe, maybe, this is a season to recapture the passion and consistency of creating. A smaller space might be just what’s needed to move forward in faithfulness, and then I can rule over the much. :)

Now, months after all boxes are unpacked, the studio set-up, and extra things stored away in my new place (below), I’ve found I’m creating more. And I’m reflecting. Because now that I’ve had time to ‘settle in’ and take stock, I discovered in downshifting my studio practice something surprising:  downsizing didn’t limit my creativity, it expanded it!

Downsizing is the bomb-dot-com for creativity!

The more I let go, the more I gained. I’m far more inspired and my work shows it. I’ve been able to make studio plans and created a studio calendar, and I’ve been filming and art journaling and finished some unfinished projects - woohoo!

There is much to love about this new season, and this new creative atelier (French for studio or creative workspace).  I’m sitting here thinking about why and decided to create this post. Because I can honestly tell you that with a smaller studio, there are big gifts I never expected!

  • Inspiration:  less is definitely more, I’m not overwhelmed by ‘all the things’ around me

  • Clarity/sharpened focus:  I can easily see what I need to be working on and get to it much quicker

  • Increased intentionality: every tool and supply that’s near me serves a purpose, and can be easily switched out as needed

  • Organization:  I’m forced to clean up in between projects sooner due to less space or clutter will overrun it

  • Enjoyment:  there’s a joy of working with only what truly matters and in the moment

If you’re facing a downsized space, whether by choice or necessity, here are some ways to make the most of it—and maybe even find a fresh spark in your creative process!

Let go of the “extra”:  keep only the most impactful, frequently used, and creatively inspirational

The first step in downsizing is deciding what stays and what goes. This isn’t just about making space; it’s about making room for “the new” and for creating work that really moves you.  The process of decluttering isn’t just physical—it’s mental, too. Clearing away the excess gives your mind breathing room. And when you’re surrounded by only the materials you truly love, your creativity flows more freely.

As I was already preparing to move and collecting boxes and packing materials, I set several boxes aside in various sizes for what I lovingly call the “sorting and classifying” stage. Yes, I’m nerdy that way, and love to sort and classify! 😂 Here are some thoughts on sorting:  

  • Sort your materials—Plan to keep what you use often, and then donate, gift another artist, or sell what you haven’t touched in years!

  • Prioritize your tools—If you have duplicates, choose your favorite and pass the rest on - or choose to store them until needed (i.e., for teaching live workshops). I keep bare minimum and more-pricey-to-replace-in-a-pinch items, such as heat guns, permanent glues, and brushes. All the brushes.

  • Boxes– Assessing what you’re going to take with you - and collect your boxes. Here are suggestions:

    • Larger boxes for organizing containers (i.e., baskets, plastic storage containers, wall shelves), large tools, folding easels, etc. 

    • Flat, large “tv” type boxes for canvases, large sheets of art papers, wall hangings

    • Medium boxes for art journals, books, pens/pencils, paints, pastels, shipping supplies, collage materials, glues, and so on.

    • Small and/or wine/liquor boxes for glass jars, brushes, inks, etc. The wine boxes are great for glass/fragile items because they have the cardboard separators already inside!

  • Be honest—Are you holding onto something because you need it, or just because you think you should? Keep the artist tools, materials, and organizational pieces that “spark joy” and let go of the ones that weigh you down. You know the ones…bought on an impulse, still in packaging, collecting dust …

Smart studio storage: making every inch count

A smaller space means getting super, super creative with organization. The goal here is to keep things accessible without overwhelming your workspace. I have some great experience with this, so read on!

  1. Take everything out of the new space to start.  This is easy to do if you’re in the midst of a move, while things are stil in boxes! Otherwise, remove everything you can, even furniture, and visualize what will fit, the flow of the space, what the absolute musts are. Ask yourself:  

    • Where will my easel go? 

    • What do I need around me? 

    • What tables and furniture such as bookcases, chairs, and storage shelves do I need? 

    • What are my lighting options and needs? 

    • What is best placed beneath or near windows/skylights to capitalize on natural light such as a photography corner or easel - or NOT near natural light such as a laptop where it might glare? 

    • What “stations” or “zones” do I need to create to be the most productive? 

    • What specific supplies are necessary, and what can be packed for later use?

    • Where will I store the “extras” (items that aren’t used often but need to be nearby)?

  2. Use vertical space—Bookcases are my favorite, with baskets, bins, and glass jars holding art supplies that I can SEE. Consider also wall shelves, pegboards, and wall-mounted racks to help keep supplies off your work surface.

  3. Think multi-purpose—Sturdy, portable work tables, tables with built-in drawers, and rolling carts keep materials handy without taking up precious floor real estate and cluttering the floor.

  4. Contain the chaos—I use a lot of “open” and “clear” baskets, bins, glass jars, and other organizers - this will help you find what you need without frustration. Pack-up things you’re not using regularly in labeled boxes and store them in another space. TIP:  Put painter drop cloths over your portable tables and store items beneath them.

A well-organized space isn’t just about tidiness—it keeps your mind clear, too. When everything has a place, you spend less time being frustrated and searching for that one tool, and more time in the flow, creating. Can I hear an amen - or at the very least a well-placed hashtag - #winning?!

Believe it or not . . .  limitations spark creativity!

One of the unexpected gifts of a smaller studio is the way it pushes you to think differently. Fewer materials, less storage, and a tighter workspace force you to simplify. In simplicity, it seems that new ideas emerge more easily and more often!

Fine artist Debra Hart Studio painting large wall easel in studio Atlanta GA

Painting large wall easel after setting up

Artist Debra Hart's wall easel (8'x8') made from 2x4s and 4x8' plywood

Finished easel, ready to go!

  • Size of Work—If you’re used to larger canvases, you could try working in miniatures, art journals, or sketchbooks. A better idea? Build a wall easel that can lean against any wall - and means more floor real estate than traditional easels!

    Your local hardware store can help you - using 2x4’s (for my international friends, that’s a "4x2" or "4x2 timber" - i.e., 38mm x 89mm/1.5" x 3.5") to create an “A” shape frame. Then cut a piece of plywood to the size needed to fit your space is all you need. Mine is a full sheet of plywood (4’x8’ here in America). You can maximize that otherwise ‘dead wall space’ with a great easel for larger work this way!

  • Floor/Wall Coverings—Be sure to put up wall covers/put down floor coverings to protect the space, especially if you’re working large and in oils, acrylics, and mixed media. Paint and glues tend to travel!

  • Discover and Experiment with New Techniques—Having fewer supplies can encourage you to discover new techniques and explore different ways of using what you do have.

  • Focus on Depth, not Breadth—Instead of trying every medium, go deeper with the ones that resonate most. The side benefits of going deeper into your medium is the development of both mastery and your creative voice.

  • Being Present—Without excess, you’re able to enter into the worshipful practice of creating, more fully engage with your work, and connect with the reasons for creating in the first place!

Limitations, when embraced, become creative fuel. Yes, creative fuel! Without excess clutter, my workflow becomes more natural and uninterrupted. I have surprised myself with what I’ve been uber-inspired to create when having less to work with, and less around me!

Create an inviting space:  making your art studio feel like ‘home’

Even a tiny studio should feel like a sanctuary. The atmosphere of your space matters—it affects your mood, your focus, and your ability to sink into your work.

Sample art supply wall storage in Blue Ridge, GA, courtesy Jessica D Banner

Photo cred: Jessica D Banner

  • Good lighting is essential—Natural light is best, but if that’s not an option, invest in quality lamps that mimic daylight.

  • Make it inspiring—A few well-placed pieces can all go a long way in bringing warmth to your space:

    • Artwork

    • Small candles (glass-encased for safety)

    • New window treatments

    • A favorite Scripture or quote on the wall

    • Your vision board or inspiration boards

    • Plants, flowers. or wreaths

    • Strategically placed fairy or twinkle lights

    • Small table lamp

    • A few antique storage containers or repurposed baskets 

  • Keep it comfortable—A cushy armchair and ottoman, comfy working chair, soft rug, and/or music playing in the background can turn a small studio into a place you love being.

When your studio feels inviting, you’ll be drawn to spend more time there. And more time in your creative space means more art, more joy, more growth. 

More freedom? Subtract to add? Create in a smaller space!

There’s something freeing about working in a space that isn’t overflowing with stuff. A downsized studio naturally encourages focus—it’s just you and your materials, with fewer distractions pulling you away from your work.  It might be an initial mindshift, but I think you’ll discover, like me, that with less comes MORE!

Downsizing isn’t about giving up—it’s about gaining something better. It’s as if ‘subtracting’ increases so that you’re actually ‘adding’ to your life and creative practice. The more I’ve let go, the more I’ve gained. A smaller space can be a place of clarity, creativity, and inspiration. It’s a reminder that artmaking isn’t about how much room you have, it’s about what you do with the space you’re given.

Let me know what YOU do to inspire yourself in your studio, or anything else on your mind about this post! I’d LOVE to hear from you today. :)

Source: https://www.debrahartstudio.com/blog/the-a...

The Artist Life: STUDIO ON THE MOVE? BEST TIPS FOR EASING A RELOCATION

Let’s Face It: Moving is Hard!

Postcard announcing a 2020 move :)

And as an artist, moving is more than just relocating your home; it’s about ensuring your creative soul can settle into a new space as soon as possible for sanity’s sake. It can be easy to think of your studio in an “after-thought" kind of way because there are SO many details requiring your attention during a relocation.

Considering that your studio is where all the creative magic happens, and that I’ve just completed my fourth move in the past 10 years, I can testify that ‘having a think’ - as my UK friends say - can make a world of difference! With a bit of planning and a dash of creativity, the entire mess will be smoother and less overwhelming, ha. Even though I was surrounded by boxes [INSERT BOXES PHOTO] as I originally wrote this, I thought I’d capture a few thoughts and share some of my personal strategies and tips for anyone about to embark on a similar transition. Or maybe this is just for your reading pleasure, if you are enjoying these posts! 😁

Studio Move Strategy 1: Develop a "Pack, Purge & Move" Plan

I sometimes start with a new “blank” monthly planner designated JUST for the move - helps me to visualize the plan!

For artists, our schedules are already busy, so having a clear, rough outline of tasks can make the whole process less chaotic. Here are some helpful steps to consider as you approach the "big day."

1 - Packing/Purging Plan: Set aside designated blocks of time for packing and purging. Giving yourself weekly goals for packing a little at a time - and the sooner the better - helps keep things manageable.

Me? I already use a planner and have adopted a “block scheduling” method for my studio and admin tasks so I can see what’s ahead each week. So for a move, I remove some things and block out “Packing” or “Moving Task” times on my schedule. I also create “Move To Do” lists that I’ll update weekly on Sunday nights, crossing off what’s done and adding things. I also slap those Post-It-Notes in the planner as thoughts come up!

Wellllll…because who can resist such a moving “helper”?!

2 - Moving/Task Due Dates: It’s also super helpful to pencil-in your potential dates to do certain things, such as: rent a moving truck by ____; secure utilities by _____; make arrangements for pets by ____; tell my kids to clear their calendar on _____ for moving day … 😂

3 - Collect Packing Boxes Early: Start collecting boxes early—friends, family, neighbors, and even your workplace or local stores are often great resources. Boxes can be broken down flat until needed.

4 - Gather Other Packing Supplies: You’ll also want plenty of packing tape, markers, and labels. TIP: Have at least two extra “tape guns” so that others can help. It’s better to have too many supplies than to run out mid-packing - and end up spending a lot more on last-minute orders or runs to the local Walmart … ask me how I know this! 😂

5 - Moving Truck and Helpers: If you’re renting a truck, book it early, and reach out to any helpers who’ll be lending a hand. Important: letting other household/family members know in advance what they can do to pack up their own spaces, clean, etc. goes a long way towards managing expectations (yours and theirs!) and accomplishing a successful, more stress-free move.

6 - Storage Unit: Secure any new storage facility, and let the current one know your move-out date. If you’re currently renting one, here’s a TIP: Most storage units have a requirement that you have to notify them by a certain date, or get charged for another month. So be sure to check your current rental contract/agreement so you can save the headache of an additional charge.

Consider creating a Google Drive folder for digital copies of “all the things” - plans, checklists, receipts from moving truck rentals or storage units, etc

7 - Notify Utility Companies and Others: Be sure to figure out what needs to be done to transfer your utility companies ahead of time so you don’t get caught paying extra fees. And remember to change your address with the postal service and any companies sending auto-ship orders.

8 - Create a Notebook and/or Google Drive folder for “all the things”:

  • If you prefer paper, use a notebook with pockets to store paper receipts, Room Diagrams (see next item), rental agreements, lists, addresses, random Post-It notes, etc.
  • If you prefer digital storage/organization, create a Google Drive folder (or other workflow app such as Asana) to store digital receipts, plans, organizing tasks/checklists, addresses, etc. This is especially helpful because you’ll always have them accessible through your phone on moving day.

9 - Create Room Diagrams with measurements of your new space and/or storage unit. You’d be surprised, especially if you’re downsizing, of how important this will be. I use graph paper and create a diagram for each room

10 - Create Furniture Lists or Diagrams, with measurements, that can be used with the graph paper “Room Diagrams.” If you use graph paper, you can measure the actual furniture, cut them out, and move them around on your Room Diagram to see what will fit. And yes, I actually do this - in fact, for the past three moves! See the next section (The Fun Part: Designing Your New Studio Space), below, for more

SUPER-SECRET TIP #1: This is a time to give yourself grace. Make your checklists, diagrams, and plans - but don’t worry about every detail being perfect. Hold it all loose. The goal is to keep things in manageable order so you can focus on what matters most—getting back to your creative process in your new space!

Studio Move Strategy 2: What Stays and What Goes (Decisions, Decisions!)

Once you do a little pre-planning, moving is a LOT about choices: what to bring with you, what to store, and what to leave behind. In addition to what we tend to accumulate around the house, some of us are unashamed art supply collectors, lol. My lovely artists - we all do it. So take some time to look at art supplies, tools, organizers, tables, and other materials that, well, you might not actually need or use anymore. This is the time to take inventory and be, well, brutally honest about what you’re actually using. Purging can be freeing, even if it’s a little hard to let go.

Laugh if you like, but those big red dots on boxes work like a charm come moving day!

1 - Pack and Purge Early: If you are able, sort through your stuff well in advance - it keeps stress down. A few months before your moving day, start going through your items and decide what should make the journey with you. Start throwing things away (or set aside to sell or give away). In your studio, you can pack paintings, canvases, and other supplies you won't be using. Start emptying shelves and cabinets.

2 - Labeling as You Go: If you’re using a storage unit or other area for non-essentials, make it easy on yourself and create a labeling system for the boxes. I usually take old printer paper that's designated to 'recycle' and cut to size using a paper cutter, a large chisel tip black Sharpie, and tape them on at least 3 sides and the top of each box.

SUPER-SECRET TIP #2: I personally love using big red dots on boxes or items going directly to my new home and studio. Anything NOT going to the house or studio doesn’t get a red dot, lol. Laugh with me if you will, but being able to see at a glance which box/item goes where saves oodles of time and confusion come moving day. You can grab large 2” circle dots (I like red ones for visibility) from Amazon—they’re super inexpensive and useful!

Studio Move Strategy 3: Designing Your New Studio Space (The Fun Part!)

This is the fun part! Long before moving day, it’s so helpful to map out your new studio space with furniture and storage needs. Planning a general layout allows you to see how everything might fit before hauling furniture and boxes into it. Here are some of my favorite tips:

1 - Measure Your New Space: Get those new room measurements down, ahead of time, including the locations of doors and windows and which way they swing. The smaller the space, the more important this is. I use old-fashioned graph paper leftover from my home educating days to sketch each room, outlining the walls and spaces roughly to scale in pencil. Once I have it pretty much down, I’ll mark the walls, doors, and windows in darker ink so I can see it easily.

My moving notebook and to-scale furniture cut-outs - paper dolls for grown-ups, lol!

2 - Make To-Scale Furniture Cut-Outs: For me, this was where the fun began—it’s like adult paper dolls, except with furniture 😁 Once you have a layout, create and cut out small shapes of your current furniture, including tables and lamps, to arrange on your graph paper “room.” Use a dab from cheap glue sticks to keep the furniture shapes in place once you’ve figured out what you want. This way, you can decide in advance what goes where and also see if some pieces may need to go to storage, the basement, or even find a new home altogether.

3 - Define Studio Nooks: Think about areas for painting, storing supplies, and other creative “nooks.”

For example: I have a 6’ art journaling table that doubles as a filming area for my online courses, so I need art journaling supplies and lighting nearby. On a different wall, I have my 8’ easel that leans against a wall for large paintings, so floor and wall coverings are needed. For running Zoom calls, a table to stand at, and a nice backdrop without windows is needed. Setting up creative “zones” ahead of time makes unpacking less stressful and helps your new space feel like home much, much sooner.

4 - Light Sources: Lighting is important - and easily overlooked in the bluster of a move! Consider natural light you’ll need, lamps or wall/ceiling light positions, and wall paint colors. Wall colors and lighting are not only important for painting/drawing, but also for shooting photos of your finished work.

SUPER-SECRET TIP #3: Be sure to plan on/budget for adding some new personal touches to your space - I personally love having some newer/repurposed “pretties” around in my studio to inspire creativity. Storage containers are a practical and useful way to do this! Things like colored-glass jars to hold brushes, chicken-wire baskets painted white to store supplies, and small white baskets for torn-paper bits and collage materials go a long way toward making my studio space not only organized, but beautiful and inviting.

Studio Move Strategy 4: Self-Care is Non-Negotiable! (Maybe this should be #1)

Let’s be real:  packing and moving is no small feat, and it takes energy, strength and stamina—especially if you’re moving an entire creative studio or a single person moving everything yourself, so to speak. The last thing you need is to get sick, twist your ankle, or pull a muscle because your body isn’t used to certain  movements! In the weeks (or months if possible) leading up to your move, consider::

Provide your body with health foods while moving your studio

Consider adopting better food choices about a month before moving for increased energy and health - your body will thank you!

1 - Establishing/Tweaking Your Routine: Look at your physical and mental well-being. Is there anything you can do to increase your strength, flexibility, and stamina? Go ahead and start exercising - a 30/45 minute walk every day works wonders. Go after this - those boxes ain’t gonna pack or lift themselves, lol!

2 - Consider New/Temporary Eating Habits for Increased Energy:  Adopt a healthy eating plan if you’re not already on one. About a month before the move, cut out white sugar, white flour, and maybe reduce carbs for sustained energy where your body is burning fat instead (think Keto/Paleo). If you’re not already doing so, review whether you need to “up” your supplements and vitamins - consider such variables as seasonal allergies, weather changes, stress prevention, etc. Of course, drinking plenty of water makes a real difference, as does reducing your caffeine intake. Start getting extra sleep, and try going to bed a bit earlier than usual.

3 - Rest Days: Please hear me on this one - be sure you’re taking a weekly Sabbath rest—a day of no packing, no planning, no work - just worshiping and relaxing! Especially during the week of your move, which will feel counterintuitive to do… but trust me, it will change everything! Spend time with friends or family, enjoy lunch or dinner out, go to the theater, take naps, whatever you love to do to recharge.

4 - Mental Health:  Ask for Help!  This one’s big, especially for us independent ones and solopreneurs who are used to managing it all. Moving is a huge endeavor, so don’t hesitate to ask for help if you need it! At the very least, ask for prayer, ask for advice, ask for boxes, ask for recommendations - ask, ask, ask. Believe it or not, you SO don’t have to be alone in this.

SUPER-SECRET TIP #4: Plan ahead to eat well on Moving Day(s) - you will thank me later! Be sure to have plenty of water - imperative for hot months/climates like where I live in Atlanta. I buy at least 3 cases of water ahead of time to save money and time. Why so many? Well - 1 for myself, 1-2 for those who help me, and 1 to leave at the new location / storage unit, if there are going to be multiple trips. And instead of ordering pizzaa (unless having all those carbs are what you really want/need), I like to prepare ahead healthy wraps, cut veggies and fruit, and cheeses in a small cooler. If you need to, you can get these at your local deli. Then protein bars, nuts, and popcorn are kept in a large baggie for nibbles while driving the moving truck or loaded up vehicles. I’ll make extra ziplock bags for my helpers.

Studio Move Wrap-up: Here’s to New Beginnings!

Debra Hart Studio art journaling table set-up

The adventure awaits in your new space!

Moving can be a very unsettling and stressful season, no doubt.  And as an artist moving your studio and/or a single person, there are unique challenges. However, there’s great promise in a new space. There are new beginnings! A  fresh studio space, new creative energy, new surroundings, and fresh inspiration.

Over the past decade, I’ve found that planning ahead, organizing, and self-care are the most important strategies for making a relocation a smoother and less stressful experience. I promise! And just think - every packed box brings you closer to a new season of creativity and a new season filled with new things.  Enjoy - at least as much as you can 🙂

Let me know in the comments if there was something helpful for you here. I love hearing from you!

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About the Artist:
Debra Hart is a visual fine artist whose semi-abstract, mixed media work celebrates the beauty of nature and faith. With a focus on texture and emotive colors, she captures the delicate beauty of creation in each piece. Debra finds inspiration in the world around her, painting as a reflection of faith and hope.



The Artist Life: CULTIVATING EMOTIONAL INTELLIGENCE FOR CREATIVES

CULTIVATING EMOTIONAL INTELLIGENCE FOR CREATIVES
As artists, emotions play a pivotal role in our creative process, guiding us and shaping our work. But what if we could harness those emotions not just for artistic expression, but also for personal growth and emotional balance? Possessing “emotional intelligence” is a beautiful approach to navigating feelings as they come up—and one that resonates deeply with the creative journey.

Read more

The Artist Life: NAVIGATING GRIEF AS AN ARTIST ENTREPRENEUR →

This might seem to be an odd post from an artist for some.

Let's be honest ... who really wants to talk about, let alone deal with grief, loss, death? As an eternal optimist by nature, I certainly haven't wanted to go down this road. Regardless, as I deal with the trauma and work through some areas of healing the past several years, it has led me down the grief path. Trauma, loss, and healing are inexplicably intertwined.

One day we’ll do this again … on the shores of bigger waters than the Great Lakes 🤍

And it affects every area of life, including career. As a professional artist - and by default, entrepreneur - we take a road less traveled right out of the gate. Without a doubt, we have to carry the weight of whatever comes our way and find ways to do it while still running a business. Grief is a heavy, complicated emotion that can sometimes feel downright impossible to navigate.

So, as an artist and entrepreneur, dealing with the recent (April 21, 2024) death of my father has been one of the most challenging periods of my life.

I am in community with, and inspired by, so many creative people from around the globe on the daily. I hear how challenging it can be when life's curveballs are thrown their way. Today I felt a prompt to share what it's looking like for me, in hopes that they - or you - won't feel quite so alone when the hard things come.

The earliest known photo of Dad, age 3, Pickford, Michigan, USA

So, here I am (aren't you lucky, lol), sharing the process of navigating grief while continuing to create and run my art business, Debra Hart Studio. Perhaps these jumbled thoughts will turn into something helpful for you or someone you know walking through a major loss. Even if you're not, I happen to believe it is relevant - and very often a wonderful gift - to share our stories in the spirit of shared experiences amd encouragement, so here is mine.

Initial Shock

Just because this life-marking event had been a long time coming, it didn’t really make it much easier than the sudden loss of my only sibling, Larry, in 2020. Yes, Daddy was 85, and yes, he’d had a number of health issues that slowly drained his quality of life over the past decade. From about 2018, each visit to my hometown in Michigan ended in "final good-byes" because we never knew if or when it would be our last.

As hard as it’s been each time, I’m grateful for the dozen or so goodbyes. We had the privilege of saying things to one another that were in our hearts and to feel an element of closure that some don’t get when a loved one dies.

Still, when I first received the phone call on a Sunday from my stepmom June that Daddy was gone, I felt the shock. We were supposed to have started daily video chats the day before, which never happened because he simply slipped into sleep that morning, and never awoke.

Me and Daddy - Aurelius, Michigan, USA, c. 2008. Daddy’s wearing his traditional Michigan winter hat. Every.single.winter.since.about.1940, lol 😂

I’m grateful he was able to leave this life pain-free. Little did I know that Friday’s video chat was to be the first and the last. The last time I laid eyes on my dad or heard his voice telling me he loved me. His final words to me were “God bless you, kiddo,” and he was smiling at me when he said it. A big deal, since he would only talk about the Lord when I brought Him up.

I realized during those first few days after he'd gone that I'd been deeply grieving Daddy for much longer than I'd realized, even though I was fully aware of the 'preparatory grief' I'd been experiencing. It had been just a matter of time, it was big ... and it was finally here.

Without an Outlet

As there was to be no traditional service or memorial according to his wishes, navigating feelings, decisions, and plans have proven tricky. And hard. Being in another state some 900 miles away from my family, there was not a place to go to process my grief or celebrate his life with them outside of a few phone calls. Understandably, my stepmom has wanted and needed space because her son is moving in and there’s a lot to do in preparation. Better for her as she adjusts to her own new way of life to keep things simple and peaceful, and I agree with that.

To be honest, however, initially I felt not only deep sorrow but also experienced feeling cheated, alone, overwhelmed, numb, and confused. Yes, confused. There were other griefs that began to surface, which makes sense once I began to process them, but they were absolutely unexpected, bewildering, and seemed to overshadow the ‘present’ loss.

Even my paints seemed to be shadowed …

And then there was my studio. Creativity. Good gravy, ya’ll.

My studio, my creative space, once a sanctuary, became a hollow, lifeless room each time I peered in … for some reason, it was not an invitation but rather a stark reminder of my loss. The brushes, canvases, and vibrant paints seemed muted in the shadow of my grief. I remember meandering in there daily and wondering what happened. Did all the color go out of my life? Where did the joy go? I would think. I remember looking at the canvases, easels and my art journaling table, unable to summon the resolve to create.

Thankfully, in my lostness, I began to journal to help sort things through. I worshipped when I didn’t feel like it. My faith - or more accurately, Jesus - was the anchor during the early days after Daddy died. He remains very close, providing comfort, strength, and a sense of His Presence - so close that it transcends the pain. And the faithfulness, the kindness and fellowship with my closest confidantes and community has also made a huge difference.

Finding Comfort in Creating

After a few weeks, I began to feel a gentle nudge to return to my work. Art has always been one of the key ways of processing my life, along with writing/journaling, nature walks, traveling and exploring new places, and photography. Plus, I still had to move forward with my commitments as an entrepreneur, and so working and creating became an avenue for dealing with my grief. 

I decided to start small, with simple art journaling pages. It was a struggle to begin, I won’t lie. It was a stop and start venture at best. I got frustrated. I cried. I felt like a failure. I began to wonder if I was even supposed to be an artist or entrepreneur anymore. I couldn’t believe it - I was so … blocked. It took some time, some prayer, some ugly pages (and equally ugly cries), some paint slaps, and some good ol’ fashioned Southern grit somewhere deep in my belly to overcome. And, very messily and clumsily, at last I did.

One day, as I wrestled with the initial “blank page” syndrome that most artists are familiar with, I realized something. As I provide video content for my faith-based art journaling group, SOUL Collective with Debra Hart Studio, it dawned on me that the struggle itself (and how I hoped to move through it) might be helpful to others.

Early morning light flooding my art journaling table and a fresh page

So I began to film what I was doing. That filming became a much larger ‘thing’ that God was doing. It ended up being a 14-video series for my SOUL Collective group - and one that I’ll incorporate into my upcoming online video course, Intuitive Art Journaling.

Although I didn’t really think of it in those terms at the time (I made lots of mistakes, laughed at myself, fussed at myself, and shared how to bring fun into the process), what I was doing while filming was processing my grief through the act of creating. And through sharing my gifts with others.

Realizing this came much later (as in, today as I write this, ha). Only God, only God could do something like that! Each brushstroke, each little decision on the page, each sharing of my heart for creativity was a simple moment of worship, a step towards healing, a way to process my emotions without words. Okay, some words, since I was talking on the videos :)

Mixed Media Art & Music

So I soldier on, creatively. And in this season, I am finding a reprieve and joy in working with softer colors and mediums in my mixed media art.

While I’m still using my go-to mixed media materials and color palettes, I noticed recently that I’ve muted them with more pastels and whites. I think their gentle nature mirrors my need for softness, grace, and fluidity in dealing with my emotions. I’ve also noticed that I avoid harsh mark making, too heavy lines, and bold colors for the time being, opting instead for soothing, blended tones that reflect my inner landscape and feel … well, safer somehow. For now.

Daddy at the Hart Family Reunion in Mason, Michigan, with his Takemine 12-string

There’s also a reprieve in realizing how much of Daddy’s interests have become mine … Of sorts … okay, let’s just say interest ‘adjacent.’ He was a gifted musician on the guitar, mandolin, and banjo with folk, country and bluegrass music - I am a worship vocalist and budding mandolin player. He loved growing vegetables, herbs, and berries - and I have a green thumb with flowers and indoor plants. He was a natural craftsman with wood - I’ve been an artist and writer ever since I could hold a brush and a pen. He was a photographer and photo developer in the U.S. Army National Guard - I have had some form of a camera in my hands since I was about 12. So these things I have found myself leaning into - rediscovering some of my passions that line up so closely with Daddy’s somehow brings him closer and is proving immensely healing.  

Balancing an Art Business and Healing from Loss

Running Debra Hart Studio during this time has been both incredibly challenging - and full of grace and blessing. A hard, sweet, and beautiful dichotomy. There have been hours of time, sometimes days, when it has been nearly impossible to bring myself to engage with clients, work my part-time gig, be on top of admin tasks and marketing efforts, or work on commissions. Yet somehow, as I bravely forged on a bit at a time, the work itself began to emerge as a sanctuary. I say ‘bravely’ not because I’m special, but because it felt really scary and beyond what I was capable of mentally, emotionally or even physically … and I did it anyway.

Maybe it was other than bravery, as I’d been feeling so lost that doing something felt better than nothing. Either way, what’s happening is a surprising and supernatural grace that appeared just when I’ve needed it. I have been able to show up and do all the things, including the peopling and adulting and arting. I'm keenly aware of it still. And keenly aware also of the Lord’s presence, as He generously promises to be “near to the brokenhearted and saves those who are crushed in spirit.” (Psalm 34:18).

More Grace and Boundaries in Grief for the Artist

In 2023 during my last visit to Michigan, Daddy gave me his 1920 Gibson mandolin

Over the past 20 years or so, I’ve been on a hard-earned journey of learning to give myself grace, to accept that it is okay to take a step back and focus on what brings LIFE. It might seem counter-intuitive, especially at first, but it also means leaning into grieving, processing, and ultimately, healing. Partnering with Jesus has been the way through. I’m still on the journey, still learning, and constantly in need of His beautiful grace.

One important step during this season of grief has been setting healthy boundaries. I’ve had days where emotions have been raw, near the surface, and overwhelming. There has been a need for an extra measure of self-care such as sleeping, naps, shorter work sessions when needed, walking, fooling around on the mandolin, phone calls to dearest ones (or needing space from calls), journaling, and of course, weeping. Grief can be incredibly exhausting! 

So, I’ve communicated with friends, family and clients about my situation and asked for patience and understanding. I haven’t gone into the details about what I’ve been experiencing for most; I simply share that Daddy passed away and I need time to process the loss. Although I already knew it, can I just say that I have the BEST people in my life?! All have been incredibly supportive, offering words of comfort and allowing me space to grieve. This support network has been invaluable, reminding me that it’s not only okay - but rather necessary - to lean on others when times are rough.

Transitioning 

Daddy’s girl, 2nd birthday, Aurelius Twp., Mason, Michigan, USA

I’m finding this to be a transition time, learning to live without my Daddy. I can’t go visit and feel his strong arms reassuring me or the grip of his rough, gentle carpenter hands in mine. I cannot call him or ask his advice or hear him play guitar or crack a really dry, really bad dad-joke or harmonize a John Denver song together. I probably won’t recognize his home when I do get to Michigan for a visit, so much will have changed simply because he’s gone. I don’t look forward to any of this and I don’t know when the loss will fade, if ever.

So I’m left transitioning. Finding a new rhythm in my life, studio practices, and business. My art and creativity will likely shift as a result, infused with more wisdom, light and a fresh story. Already, my private worship and writing/journaling times have transitioned. At some point in my studio, I’ll likely incorporate brighter colors and bolder strokes to reflect the journey from the shadows into light. Each piece, each video, every word penned will become a testament to the power and resilience that flows from Jesus within.

And all the while, my art, journals, and canvases are becoming a visual diary of the healing process.

Moving Through Grief as an Artist or Entrepreneur

Processing grief while being an artist and entrepreneur continues to be a deeply informative (and transformative) experience. I am finding my way. Even though I experience the loneliness of being without Daddy, I am not alone. Holy Spirit has been my constant companion, guiding me through the darkest moments and helping me see the light ahead.

As I heal, I’m finding ways to honor Daddy’s memory and his passion for music, nature, gardening, woodworking, and creativity as he understood and embraced it - working with his hands.

As I heal, I’m journeying with a strength-grace and seeking the hidden purpose in it all.

Learning to journey with strength-grace

As I heal, I’m asking the Lord to bless others with whom I’m journeying because of - and despite - this loss. That’s how the Kingdom works - nothing is wasted, and that brings even greater glory to Jesus. A big, big win for those of us who believe.

If you are going through a similar experience, I really do feel you.

Please know that it’s okay to take your time. It’s okay to do what you need to do most in order to begin feeling human and whole and creative and energized again. Listen to that inner voice that’s whispering, calling you to seek out beauty, rest, joy, laughter, tears, or whatever is needed in the moment.

And there’s great, great power in leaning on (or finding) your faith in Jesus, a creative expression, and your community. Healing from grief may be an unwelcome journey, but it is a journey none of us can escape and one you don’t have to walk alone.

🤍 🤍 🤍


Debra Hart is an Atlanta-based fine artist and entrepreneur. Her work is inspired by her relationship with Jesus, the natural world, and personal experiences, creating contemporary abstract and semi-abstract pieces resonating with emotion and beauty. She loves writing, shooting photos, her family, and kittehs.

She also is a creativity guide through the various international artist communities she serves, including online courses and workshops, as well as her Creative Cafe with Debra Hart Studio and SOUL Collective with Debra Hart Studio.  You can learn more about Debra, view her art, and learn about other offerings at www.debrahartstudio.com.

Debra Hart Studio Atlanta GA fine artist

Back in the studio this week …

The Artist Life: 2021 DIARY OF A COURAGEOUS CREATOR - Creative Christianity Summit

More from the Diary of a Courageous Creator

So this thing happened.

I went to check on something this week for the Creative Christianity Summit I'm presenting a workshop in, and came across the newly-released schedule, which sent my jaw to dropping.

My workshop was scheduled by the Summit organizers for release on Day 4 (June 18). And there’s my name right below my friend and art mentor, Matt Tommey. ⬇︎⬇︎⬇︎

I nearly fell off my yoga ball, lol!

And frankly, it brought tears to my eyes, remembering. Yup, the Lord sent me a-remembering, shot me right back to where I’ve come from. Remembering what a hot mess I was inside, still recovering from trauma, when I came across Matt and his Created to Thrive artist mentoring program back in 2017.

Remembering the Creative Journey

Remembering how scared I felt when I joined the CTT program - 4 years ago this very weekend, now that I think about it.

Remembering my first Gathering of Artisans, hosted by Matt and his wife Tanya in Asheville later that fall, where I received one of the most powerful prophetic words ever from artist Aeron Brown and connected with artists from the U.S. and around the globe, many who’ve since become besties in my life.

Remembering the first Mastermind Intensive weekend in 2018 where Matt publicly challenged me - and I left thinking he didn’t like me (which we laugh about now 😆).

Remembering the gut-wrenching work through his Experience Course where I received significant healing and vision for my life. Remembering that my first-ever, nerve-wracking, Facebook Live interview took place a year later with Matt to help promote the Course (and I now do them every week in my business through my Creative Café with Debra Hart Studio community without batting a well-macara-ed eyelash...well almost).

Remembering that in 2020, just a week before we locked down, Matt taught at a conference where he invited us stand up and declare our dreams aloud to the 200 others in the room. Holy Spirit told me that if I didn’t, I would regret it for the rest of my life – so I did. And being a part of this Summit is a large fulfillment of that dream, to see my art go international.

And not least of all, remembering that he and Tanya have since taken a chance on me to work with their team and serve other artists and makers in their journeys to get free, get equipped, and get thriving.

It Ain't Just a Thing in This Artists' Life ...

So, I really can’t share this Summit news and schedule with ya’ll - my friends and family - and just gloss over it, as if it’s ‘just a thing’ I’m doing. Perhaps to most it is, but to me, it represents so much more. It’s a visual remembrance of the faithfulness of my Daddy God. Of where I was, where He has me now, where He's taking me.

And it's a visual marker of the faithfulness of one of His amazing servants doing – and modeling it so well to so many – what he’s called to do. I would be remiss to do otherwise, so please allow me this opportunity to honor you, Matt, and say “thank you” to you and Tanya both. You do it with such passion, authenticity, laughter, whole-heartedness, generosity, and good ol' Southern grit. My life has been transformed in ways I could never have imagined in just four short years, and my heart is forever grateful!

'til next time, my courageous ones! xo, debra

Now That the Event is Over ...

Like every well-trained mentee / businessperson … here’s a link to the course from the Summit, now available as a stand-alone course. Please check it out!

The Artist Life: 2020 DIARY OF A COURAGEOUS CREATOR, Part 3

diary of a courageous creator, part three ♡

barn, mcdaniel farm park, duluth, ga usa

barn, mcdaniel farm park, duluth, ga usa

this one is just for fun!

after our day 1/thursday workshop ended for paint duluth 5, Robin and i drove around the duluth area and scouted out possibilities for beginning our plein air painting adventure. knowing there would be plenty of artists painting in and around the historic downtown area, and also knowing her affinity for the beautiful outdoors, i wanted her to see mcdaniel farm park.

tenant house, mcdaniel farm park, duluth, ga usa

tenant house, mcdaniel farm park, duluth, ga usa

the park is a relatively unknown and lovingly kept ‘secret’ in the duluth area, run by gwinnett county parks & recreation. it’s like stepping back in time a bit, a former cotton farm relatively unchanged since its drawing in the 1820 land lottery. in the early 1900s, it was a thriving farm which also housed sharecroppers and was an actively worked property in the mcdaniel family through 1999. today the 134-acre park, granted to gwinnett, retains beautiful trails, the original farm house and barn, well house, chicken coop, blacksmith shed and restored tenant farmer house…and another special building, as you’ll shortly see :)

we took a stroll around and i showed robin some of my favorite spots that weren’t too far off the beaten path for things like, you know, ‘facilities.’ not only is robin a prolific oil, plein air, and wood & paper artist, she and her husband also farm their north florida land with livestock: various chickens, sheep, pigs and lovely great pyrenees dogs. so it was no surprise to me that she was really intrigued with all the large displays of farm implements sprinkled around the farm. we scouted some areas of interest and shot some photos, talked about light and shadow for plein air painting, and went home deciding this would be our day 2 sweet spot.

the next morning it was lovely, but a bit bright. i'll admit to loving the golden, rolling field around the tenant house, so we headed there first to see if we could frame good composition elements for painting. we couldn’t quite seem to find the right place to paint. when we saw several other artists already painting the tenant house, we both eyed the outhouse at the same time with a laugh, and decided that was our first subject. it was a bit hidden in a corner behind the tenant house, under several gigantic trees, had a rustic fence, a path, yellowing grasses and leaves near it. perfect set-up compositionally, if not necessarily saleable subject matter.

robin popp, plein air painting

robin popp, plein air painting

robin teaches plein air painting professionally and her teacher-heart was full-on, helping me along with tips and whatever my challenges were that day. she wanted me to experience success, so we planned to only be there maybe an hour or so, just painting the outhouse as a warmup. the light – which I’ve learned is so important when painting en plein air – kept changing, and we kept on, even though shadows were growing and the sky was darkening rapidly. next thing we knew, it was 1:45pm, i was due to broadcast live on location at 2:00 pm inside my private facebook group for creatives… and, in true plein air form, it began to sprinkle, then shower. eep!

fortunately, we had just enough time to box and toss our paintings under the tenant farm back porch, and most of our gear packed up during the ‘sprinkle’ stage. we sprinted for cover under an enormous oak tree, used an easel as a tripod, took a deep breath, and went live within minutes. just before hitting the button, we both looked at each other as we realized where we were … positioned smack in front of that outhouse! barely containing ourselves with laughter, we took full advantage of it, even doing a ‘big reveal’ of what we painted. the interview with robin turned out to be wonderful, even with rushing about, no real prep time, and rain hair. that fun-filled, friday café live broadcast with a whole lot of silliness, laughter, vulnerability, and (very) little serious chat sprinkled in made for some mighty fine courageous creating. it even inspired a little vignette vid for the facebook group. (watch below ⬇︎)

20201011_180951.jpg

while robin probably has more at stake than i do as a plein air artist, she decided that exercise wasn’t one of her favorites from the weekend. i, however, ended up being pretty pleased with mine, despite the rain and the less-than-serious subject matter. enough so, that i framed and entered that puppy in the paint duluth 5 gallery show where it’s buried very low, on a poorly lit display. ➔

finished painting ♡

finished painting ♡

even that makes me laugh when i think about it. i haven’t checked yet, but wouldn’t be at all surprised if someone actually buys it. just because it’s fun. and seriously, who doesn’t need an outhouse painting?

okay, I’ll end this thing (a wee bit) soberly … sometimes, it takes radical courage to be just plain silly – bordering on ridiculous – as a creator in an otherwise traditional, cultured setting. and i love that i’m really, really okay with that because i’ve learned to not take myself too seriously. life is short, and there is lighthearted guffawing to be had!

Just a little ditty created from the October 9, 2020 Friday Café Live broadcast of "Creative Café with Debra Hart Studio,” on location with Robin Popp ...

The Artist Life: 2020 DIARY OF A COURAGEOUS CREATOR, Part 2

here i am in front of my ‘least fav’ painting … and with my ‘most fav’ plein air artist! learn more about robin popp and her glorious work (and i highly encourage treating your eyeballs to a visual feast), click here. photo cred: © robin popp studio

here i am in front of my ‘least fav’ painting … and with my ‘most fav’ plein air artist! learn more about robin popp and her glorious work (and i highly encourage treating your eyeballs to a visual feast), click here. photo cred: © robin popp studio

diary of a courageous creator, part two ♡

this is my ‘least fav’ plein air painting from the paint duluth 5 event this past weekend. This one was the bona fide tearmaker. and revealer.

as hard as i might, i just couldn’t make it work.

yes, i was tired.

it was day 3 of en plein air painting.

day 3 of brain-fighting oils (i’m mainly an acrylic and mixed media girl).

day 3 of forgetting all i KNEW about values and transparent paints and all the things.

day 3 of painting realistically instead of in my usual abstractishness.

day 2 of painting in the rain.

day 3 of up-and-atta with too little sleep and too much fun with my friend robin (who is a master plein air painter, might i add) ♡

overwhelmed, too, from doing the quick draw competition earlier, i rather wanted to quit before ever starting this fresh canvas. the quick draw painting (where we have 60 minutes to complete), i half-liked and half-hated. until placing it in the row with the other “pros” for judging, and then just hated, lol.

the ‘quick draw’ entry, 9x12” oil and palette knife on canvas board, painted en plein air at southeastern train museum, as part of duluth 5 © debra hart studio llc

the ‘quick draw’ entry, 9x12” oil and palette knife on canvas board, painted en plein air at southeastern train museum, as part of duluth 5 © debra hart studio llc

i think it then got worse, unable to find much to inspire me at the train museum. nothing personal to the museum, or trains, which i love, it was just the environment. i SO wanted to have a unique painting, and there were 20-ish other artists all vying for a decent composition while staying under a dry roof. not mad, mind you, we were all in the same boat … just frustrated. the plein air adventure had suddenly become a battle. and yes, my enneagram type 4 was also kicking into high gear, as was my photographer brain, and none of these, as it turned out, helped one whit!

finally, i landed on an angle: a simple rusted train and some goldenrod in front, from ground level perspective (great photo, trickier to paint). since i’d experienced some success with flowers the day before, i thought i couldn’t lose on that choice. i sat down on the ground to compose the canvas, mainly consisting of the goldenrod and other weeds, with the rusty train as backdrop.

ohmgoodness. that train seemed to take on a life of its own, with all the rust, and dark purply streaks, and wet metal one moment, dry the next. that train simply took over! i wrestled with my paintbrush, wrestled with the uncomfortable seating situation, wrestled with the distraction of people nearby. i know, i know, it’s supposed to be part of the experience, but my introverted self was d.o.n.e. no, actually D.O.N.E.! and i wrestled internally for a good 2 hours trying to get that thing “right” before stopping, taking a walk, and ending up slumped over on a picnic table.

i felt defeated, deflated, and like a complete fraud as an artist. i didn’t want to cry, was determined not to let this experience get to me, but those little wet buggers eked themselves out anyway.

ugh.

“goldenrod” 11x14” oil on canvas, painted en plein air at southeastern train museum, duluth, ga as part of paint duluth 5 © debra hart studio llc

“goldenrod” 11x14” oil on canvas, painted en plein air at southeastern train museum, duluth, ga as part of paint duluth 5 © debra hart studio llc

in the end, i’ll admit that closing my eyes and letting those tears roll where they might, was a mighty good thing. it was like a pressure valve sprung so clarity could arrive. i just kept my head tilted toward the sky, eyes closed, and remained a good long while in the moment. it was simultaneously terrifying and calming. i realized i needed to sit in the feelings until they passed, acknowledge their presence instead of fighting them.

like author elizabeth gilbert talks about in her book “big magic” … fear, like these feelings, is part of the creative experience. sometimes the dark things come to stay, at least for a while. it’s a matter of putting them in the back seat rather than letting them sit, invited, in the passenger (or worse) driver’s seat. in my experience, ignoring them almost never works, as they find a way back, uglier and with more gusto than before.

in that place of granting space and momentary permission to those overwhelming emotions, i also began an internal monologue, asking all the why and what-next questions. then began speaking life over my brain, emotions, creativity, skills, and spirit. quietly.

as i did, the negativity subsided and the inner critic was silenced. i could hear. i could breathe in what was needed for the next steps … which in this case was to return to the canvas, stop comparing, problem-solve, accept the mess, embrace the imperfections, and see it through.

eventually, i asked for some help from the experts surrounding me, and plus figured out on my own that i’d applied too much paint and opaques too early, and had wrong angles, not enough sky and…and…and… :)

“goldenrod” 11x14” oil on canvas, framed. painted en plein air at southeastern train museum, duluth, ga as part of paint duluth 5 © debra hart studio llc

“goldenrod” 11x14” oil on canvas, framed. painted en plein air at southeastern train museum, duluth, ga as part of paint duluth 5 © debra hart studio llc

i fixed it as best as i could. while “goldenrod” is one of my least “favorite” paintings (skill-wise) from the weekend, i’ve decided that it’s my favorite in message.

symbolically sitting beneath the rusty train and weedy flowers, is perseverance and courage, peace and not-hating-it, acceptance of the uncomfortable, and authenticity in moments of inadequacy. it’s an underdog and an overcoming piece, a pure win in my book.

i decided to bravely enter it into the gallery show, reminding myself that grit and gutsiness is at the essence of courageous creating.

this 11x14” framed oil painting, entitled “goldenrod,” is currently hanging in the paint duluth gallery show at adrian collaborative on main street in duluth, ga, usa, through october 19, 2020.

use the contact form to purchase this courage-laden piece! :)

The Artist Life: 2020 DIARY OF A COURAGEOUS CREATOR, Part 1

Musings from Paint Duluth 5 (Duluth, GA) ♡

This past weekend i participated in Paint Duluth 5, a 4-day local en plein air event. Just in case, en plein air is French for “in the open air,” and artists know this as an outdoor, open air painting activity. think French countryside, box easels, and berets. sort of. :)

In events like this (often tied to a local festival, but not always), plein air artists travel from all over to gather in an area and paint in public, rain or shine. There are usually competitions such as a ‘quick draws’ with a time limit, artist workshops, awards, and a gallery show and/or reception to celebrate the completed pieces. People eagerly come to participate, and the public to watch the process of art-making in the great outdoors.

Last year I participated in Paint Duluth 4, so this wasn’t my first plein air experience. However, i was so intimidated by the idea of people actually watching me work (and potentially fumbling my way through), that I found the most remote locations I could think of to work! First day, my back deck overlooking the lake and a great blue heron visitation. Second day, an early morning sunrise over nearby Cardinal Lake, which I’d practiced in watercolor for days prior just in case someone happened by. Last up was a whimsical dandelion fluff painting using toilet paper roll brushes and other mixed media techniques from a parking lot at a local park.

Despite my hesitation and hiding, the first two paintings – the heron and the lake sunrise -- sold in the gallery show! You could’ve pushed me over with a feather, but it was enough of a good experience that I decided to sign up again in 2020.

So, this year, Paint Duluth 5.

An artist friend, Robin Popp (www.robinpopp.com), who is also a master plein air painter, came up from North Florida for the event and stayed. We know each other from Gathering of Artisans (www.gatheringofartisans.com) and the artist mentoring program we both belong to (click here for more).

Last summer we did a self-proclaimed Holy Chicken Artist Residency 😂 on Robin's farm with 3 other artists, including one day of plein air painting at a nearby (and incredibly crystal clear azure blue!) Cypress Springs. Last October I was her assistant instructor at the incredible John C. Campbell Folk School (www.folkschool.org) for a week of plein air painting in the western North Carolina mountains.

This time for Paint Duluth, I found myself with a plein air buddy. Someone to have my back. I'd gained a little plein air experience since the previous Paint Duluth event, and felt less overwhelmed. And i say less because the whole practice is rather terrifying, but I do like the idea of painting outdoors. and the idea of moving from being an overwhelmed artist to an overcoming one.

I hit bumps! Oh, boy did I. But because I’m currently developing an online course series called ‘Courageous Creating,’ i found myself in the big fat middle of being tested on what I’m teaching. I found myself being forced to walk it out.

Below is the first of three ‘diary entries’ from my most recent plein air (and real life as a creative soul) adventure. Enjoy!

It's a courageous thing to do something new. To kick the crutches out from underneath yourself. To risk failure and defeat. To squeeze out tears of frustration and sit uncomfortably in very real moments of inadequacy ...

All while doing it publicly, fighting against the elements and largely unfamiliar medium and techniques, not only in front of complete passerby strangers, but also surrounded by ridiculously more talented artists than you. And vulnerably, willingly sticking your work up on display next to theirs. Yikes.

This is daring greatly, I'm realizing...and this is courageous creating!

Highlighted in these photos is my fav plein air painting from Paint Duluth. It's currently hanging in the gallery show at Adrian Collaborative, on Main Street in Duluth, GA USA, through October 19, 2020.

It's framed in gold, and I can't help thinking there's something very significant, prophetic about that. More to come, as I dig down deeper.

In the next "diary entry," I'll share my least favorite, so stay tuned 😉 … in the meantime, what seems like courage in YOUR creative expression?

Comment below, I'd love to hear!